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My particular focus on the representation of femininity and female agency sheds light on how the émigrée Kaus, who had been known as an ardent feminist in Europe, successfully managed to subvert ideas of heteronormative gender and power discourses even within the restrictive limits of the Hollywood apparatus.
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The analysis incorporates a feminist reading, which focuses on the performances of gender and the representation of femininity and illustrates the destabilization of gender and sexual identities during the Weimar period. It contextualizes her book in terms of its readership and the literary market while examining it as a comment on the political, financial and social circumstances of 1920s Weimar culture.
A thorough investigation of two films for which Kaus invented the story and collaborated on the screenplay, namely (directed by Robert Wise, USA, 1950), a melodrama, challenges the persistent idea that Kaus's work for Hollywood was incapable to live up to her earlier literary and theatrical successes as an author of the Weimar period.
Walt Whitman dodged convention when he came up with his literary masterpiece ‘Leaves of Grass’.
Have you grown up reading the tales of the characters of Rip Van Winkle or Ichabod Crane?
Description "One does not discover new lands without consenting to " "It is better to be hated for what you are than to be loved for something you are not." "The most decisive actions of our life are most often unconsidered actions." "It is with noble sentiments that bad literature gets written." "Art is a collaboration between God and the artist, and the less the artist does the better." - Andre Gide, 1869-1951 "Art begins with resistance - at the point where resistance is overcome.
19th century was a period of writer’s paradise – with so many literary giants and eminent authors who penned classics one after the other, how else can one describe the period?