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Even if she does not fully understand her daughter’s happiness, she accepts it as a reality.By the end of , both daughters have managed to “bend” gender rules in order to pursue their dream of becoming professional soccer players.She has created a new identity that is an amalgam of Indian and British culture. ” (, Scene 30 “No More Lies.”) She can be proud that she has taught her daughter how to cook a “full Punjabi dinner, meat and vegetarian,” (Bend It Like Beckham, Scene 8 “No More Football.”) symbolizing the rest of her Indian heritage, and is slightly more comfortable in sending her out into the world.
This creates a film that attracts the attention of the audience and keeps them interested in the storyline.
In the film Bend It Like Beckham a young female Indian footballer hopes that one day she will be able to become a professional footballer and play for her country. They believe that as a young female teenager who is growing up, traditional household roles should be taught.
By the end of the film, it becomes a vehicle through which they come to accept (in Jess’s case) and understand (in Jules’s case) their daughter’s choices. “Bend It like Beckham and Real Women Have Curves: Constructing Identity in Multicultural Coming-of-Age Stories.” (Depaul Law Review, 2004-2005) 701-702.) According to feminist philosopher Uma Narayan, cooking is especially emblematic of Indian culture, therefore a proper Indian woman should know how to cook. Bhamra is an excellent example of ideal Indian femininity because she is almost always shown preparing, serving, or eating food. Nagra, Keira Knightley, Jonathan Rhys-Meyers, Anupam Kher, DVD, Twentieth Centruy Fox, 2002, Scene 8 “No More Football.”) Bhamra is motivated by a desire to pass on traditional Punjabi culture and sees cooking as one way to ensure a good future–i.e. Jess considers the cooking lessons to be yet another way for her mother to control her future and force her into a certain feminine ideal.
The role of women is at the core of many traditional cultures and is important to their survival. The preparation of these meals is a symbol of continuity of culture, as are her attempts to teach her daughters. “The Politics of Location: Ethnic Identity and Cultural Conflict in the Cinema of the South Asian Diaspora.” (Journal of Communication Inquiry, 2003) 55, 59.) A scene that illustrates this is the argument between Jess and her mother after she discovers that Jess has joined a girls’ team. When she brings soccer into the kitchen as an assertion of her own identity, it can be interpreted as a threat to her culture. Paxton is more of a caricature than a fully fleshed character with regards to her attitude towards her daughter. (Austin: University of Texas, 2007) 193.) As the scene continues, Jess and Jules argue about who has the right to pursue a relationship with their coach, Joe. Paxton overhears them as she brings up a tray of tea and cheese. Paxton jumps to a conclusion and is so horrified that she cannot begin to conceive talking to her daughter about it. Paxton at their patio table enjoying a glass of wine as they wait for Jules to get home for dinner.
Though it is only half of the actual problem, it is a good beginning to its resolution.
Just as Belasco argues, the meal “enables a key conversation” and brings Mrs.She bears a tray of food at the height of this alienation, then later uses food after finally making an effort to understand and support her daughter.Because this film is a comedy, the final results are happy: two content families, two best friends, and a new and multicultural definition of what it means to be a young British woman.Conflict of Cultures in the film Bend It Like Beckham Gurinder Chada creates conflict of cultures in various different ways in the film Bend It Like Beckham.Gurinder Chada uses techniques such as accents in the voice, contrasts, stereotypes, sarcasm, characterization and juxtaposition of British and Indian cultures which creates humour.She begs them to understand that playing soccer makes her happy. He says, “Two daughters made happy on one day–what more can a father ask for?” (, Scene 30 “No More Lies”) He recognizes that his daughter identifies with an English definition of what it means for a woman to be “happy” rather than an Indian one, and that it makes her no less Indian and no less his daughter. Bhamra relents: “At least I’ve taught her full Indian dinner–the rest is up to her!(Mc Clain 712.) When Jess shows no interest in learning to cook, she is acting outside of proper gender roles and jeopardizing her future within the Indian community as well as bringing shame to her family within it. Jess is seated on the couch, her parents looming over her. Bhamra expresses worry about the only future she can perceive for her daughter: “What family will want a daughter-in-law who can run around kicking football all day but can’t make round chapattis? Like many coming-of-age stories, a breakdown of communication turns a parent’s good intentions into unfair attempts to ruin his or her child’s life. (Mc Clain 714.) Perhaps even more ridiculous, however, is her obsessive fear that playing soccer has affected her daughter’s sexuality. Having missed the beginning of the conversation, she believes that she is overhearing a lovers’ quarrel. Paxton crying on the couch about this revelation even though untrue and based on speculation of a half-heard conversation. Once again, the mother figure bearing food is unable to understand her daughter’s perspective. All sorts of condiment and spice bottles are arranged on the table like players on a soccer field.” After a failed appeal to her father, Jess’s mother declares “That’s it, no more football! There is a similar disconnect between Jules and Mrs. Even though Jules’s family represents the average family living in Hounslow in the early twenty-first century, there is a certain image of femininity to which Mrs. In one scene, Jess goes to the Paxton house to talk to Jules. Paxton’s very first comment to Jess is in reference to food: “You know, I cooked a lovely curry the other day.” (Scene 19, “Betrayed.”) This is one way she is made even more outrageous: she attempts to use food as a way to associate herself with what she perceives as the Indian ideal of the female cook/preserver of tradition, and to cover up the fact that she has so little in common with her daughter. Tea, like any other meal, offers a chance for people to sit down, talk, and come to understand each other. Jules’s mother is the first of the two mothers to make an attempt to understand her daughter’s obsession with soccer. Jules enters and sees her father teaching her mother the rules of the game, and notices that her mother has read a stack of magazines about soccer. Paxton’s words, she’s “got to take an interest” or she’s going to lose Jules.In her words: “That way, we can all enjoy football [soccer] as a family.” (, Scene 23 “Worried About Jess.”) Her ultimate goal is to keep her family together.By doing research on professional female players, Mrs.