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Believe it or not, country wasn’t always a big mainstream genre.Much like many other types of longstanding music genres, it’s gone through it’s fair share of ups and downs.Troutman, ARSC Journal“Hidden in the Mix accomplishes far more than documenting, as its subtitle suggests, ‘the African American presence in country music’; it lays down a marker challenging the next generation of researchers to conduct more flexible investigations of country’s variegated borderlines,which will require increasing participation in their own methodological version of ‘crossover’ practices.” — Pamela Fox, Journal of Popular Music Studies"All in all, this volume succeeds in shedding quite a bit of light on the 'playing in the dark' theme in both senses: the important role of many hitherto obscure African American musicians in the creation of country music is made clear as is the process of how several important infusions from the 'black' musical stream have continually enriched the genre, producing new crossover variations...contributors here write from a cultural studies or ethnographic perspective that is quite accessible, and this book should win readers beyond the circle of specialists in the study of popular music while also being a valuable addition to the literature of the field." — John Miller Jones, Kritikon Litterarum"[T]here is much that is new to specialists and non-specialists alike in this volume.
It uncovers the historical discourses that over time obscured country music’s multiracial origins and history." — Leigh Edwards, Journal of American Culture“This is a useful collection with an engaging interdisciplinary balance of focus and imagination….
[T]he book is on the whole accessible, fresh, and contemporary in its tone and synthesis.
The non-music specialist as well as the music history insider should find much to appreciate.” — Steven Garabedian, The Journal of Southern History“Hidden in the Mix is a worthwhile book that will appeal to the student of history, culture, music, and the South’s role in shaping American identity.” — Barbara A.
Baker, The Alabama Review“[S]imply the best collection of academic essays about popular music I have read in years. When it comes to proving the centrality of American music to the study of American history, Hidden in the Mix has few recent equals.” — Harvey G.
If Only They Could Read between the Lines: Alice Randall and the Integration of Country Music / Barbara Ching 26311.
You're My Soul Song: How Southern Soul Changed Country Music / Charles L. All in all, this is certainly a worthwhile text on the shelf of music historians engaged in modern American music." — Kenneth H.Marcus, Journal of African American History "Hidden in the Mix is a comprehensive and worthy addition to the canon of popular music history. By looking at both historical traditions (the banjo, early blues-hillbilly music) and contemporary cultural phenomena (hick-hop and country pop), as well as African American artists past and present (Bill Livers, Ray Charles, Cowboy Troy), the book greatly expands our knowledge of this intriguing subject." — Holly George-Warren, author of Public Cowboy No.It's not perfect, but what's good here makes the collection indispensable.” — RJ Smith, NPR's The Record“Country music is white music.Its performers are white; its repertoire is white; its audience is white. But it's largely a myth, debunked decisively in Hidden in the Mix.” — Noah Berlatsky, Chicago Reader“A fascinating and long-overdue compendium of essays that shed new light on country music’s complex and diverse history.” — Bill Baars, Library Journal“Hidden in the Mix . steps in to set the record straight, within a dozen essays that tackle varied topics while persistently analyzing the racial history of country music and how it manifests itself, or is ignored, in the present – including in the works of country-music historians.” — Dave Heaton, Pop Matters“While rich in detail and strong in opinions, these scholarly essays are nuanced and balanced. Hidden in the Mix is an excellent contribution to country music scholarship.” — B.Cohen, Journal of American Studies"Hidden in the Mix comprises a diverse, sophisticated, and probing collection of essays that works to expose...borders, illuminate the transgressions that riddle them, and further untangle their fluid relationships in the American cultural landscape." — John W.Making Country Modern: The Legacy of Modern Sounds in Country and Western Music / Diane Pecknold 823.Contested Origins: Arnold Schultz and the Music of Western Kentucky / Erika Brady 1004. Why African Americans Put the Banjo Down / Tony Thomas 1436.The contributors to Hidden in the Mix examine how country music became "white," how that fictive racialization has been maintained, and how African American artists and fans have used country music to elaborate their own identities.They investigate topics as diverse as the role of race in shaping old-time record catalogues, the transracial West of the hick-hopper Cowboy Troy, and the place of U. country music in postcolonial debates about race and resistance.