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He sees Jan and Mary and their actions as being a bit crazy.His confusion and unease with Jan and Mary's benevolence quickly turns to feelings of anger and intense loathing for them.
Bigger's loathing has completely colored his sense of morality, which is what Marx stated happens when a capitalist society alienates people.
Despite the fact that Bigger has killed the woman Jan loved, Jan decides to help Bigger after he is arrested by introducing him to his Communist lawyer friend, Boris Max.
At one point in Native Son, Jan and Mary insist that Bigger show them life on the South Side of Chicago.
For Wright, how a person speaks and how a person lives may be that which "most irreducibly separates white communists from their black comrades' (Grinnell 161).
Indeed, placing Bigger among the 'wailing ghosts' of Chicago's South Side during the Depression, Wright's Communists imagine the life of Bigger Thomas to be nothing less than spectacular than the life of a 'corpse' (Grinnell 146-147).
Wright solemnly notes, however, that Bigger will potentially always come back to haunt "our souls in the deep of the black night" (Wright 361).Bigger certainly desires a better life just like the rich, white people, but discrimination is much too rampant and Bigger could only improve his situation, it seems, if he were white.Gus says, "If you wasn't black and you had some money and if they'd let you go to aviation school, you could fly a plane" (17).It is clear from reading the first few chapters of Richard Wright's Native Son that Bigger is a part of this lower class Marx spoke of.Early on in the book Bigger states, "They get a chance to do everything…it's funny how the white folks treat us, ain't it? There is not a blatant mentioning of communism in the beginning of Native Son, but from the very beginning, the reader gets the sense that Bigger is working against something much larger than himself -- a capitalist society where alienation is the result of widespread oppression of blacks.For in writing Native Son Wright imagines a Communism in the United States that quite capable reproduces processes of social dehumanization that exile Bigger into the shadowy role of what Wright once ironically referred to as 'the Negro's uncertain position in America' (Grinnell 145). The way that Wright italicizes "human" suggests that there is some uncertainty about what that actually means.The very first notion of communist ideology in Native Son is brought to light when we meet Jan Erlone, the lover of Mary Dalton, who works for the Labor Defender office and who also happens to be white. Never in my life have I been inside of a Negro home. "Whether Bigger is imagined by Communism to be a living corpse, ghost, or a worker, the question remains, is he human? Jan and Mary treat Bigger just as they would any friend, regardless of the fact that Bigger is black and refuses to allow Bigger to say "yessuh" to them, which shocks Bigger in a way that confounds him rather than pleases him.Wright's novel is shaped to a certain extent by his own experiences with the Communist Party of the U. This passage from Native Son illustrating Mary's curiosity is important for her as well as for the reader it seems.S., first in Chicago and then in Harlem (Grinnell 145), but whatever commitment to the Party Wright may have felt in the early 1930s is hardened at the end of the decade by his depiction of the nightmare of Bigger Thomas' life (145). It is a way for the reader to also confirm that African-Americans are human.Bigger's killing of Mary is not something intentional, but it is a direct result of this alienation that he feels.Bigger never regrets what happened; he actually sees it as some kind of personal success and he tries to benefit from the whole thing by faking a kidnapping.