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Since organic materials are still considered to be among the most challenging objects to animate in computer animation, Violet's hair proved to be the most difficult subject for the animators to master.Although scale models of Violet and the film's major characters were first sculpted in clay by artist Kent Melton, the animators initially struggled to replicate Melton's very detailed interpretation of Violet's hair.
To-date, the Incredibles films remain Vowell's only animated film roles. not comfortable in her own skin" who resides "in that rocky place between being a kid and an adult", Bird felt that invisibility would be the most suitable power for the Parr family's only daughter.
According to Vowell, Violet's superpowers of invisibility and force fields are, much like the rest of her family, "psychologically representational of who she is"; a teenage girl who longs to remain hidden and protected; Bird sought to balance the adventurous and "ordinary" components of the family's lives, explaining that audiences would appreciate and relate to moments when Violet uses her powers in the event that she feels humiliated.
Vowell accepted the role after receiving an e-mail from the film's producer, agreeing to participate in The Incredibles because she believes that Pixar is consistently "the best at what they do", comparing the offer to politician Nelson Mandela "asking for your help to fight racism". I love that archetype of the morose, shy, smart-alecky teenage girl." finding the unique dynamic between Violet and Bob similar to her relationship with her own father, particularly the combination of affection, sarcasm and confusion that both her and her character feel towards their respective parents.
Vowell ultimately accepted the role based on a sole image she had been sent of the character: a drawing of Violet surrounded by her schoolmates, all of whom appear to be happy and outgoing apart from Violet herself, who is instead hunched over and hiding behind her hair. Vowell admitted that she shares Violet's "inability to stop pushing people's buttons", citing their tendency to voice their opinions about any given topic and gift for making various situations awkward as similarities.
Violet was costumed in a pink shirt towards the end of the film in order to demonstrate that she is now "much more open– sort of like she’s blossoming as a teenager." Imagire identified the character as "the perfect example of where we didn’t go mid-century; we went modern with her" instead.
For the sequel, the increasing complexity of Violet's force fields required the animators to create new effects; although they remain visually similar to the first film, Violet "is able to do more with her force fields, so we had to figure out how that changes the look of her force fields," including sound effects and static as they interact with other objects, according to effects supervisor Bill Watral.Although the films are set roughly during the 1950s and 1960s, shading art director Bryn Imagire opted to incorporate a more modern style into Violet's wardrobe, feeling that the hourglass silhouette, poofy skirts and tight shirts young women typically wore during this time period were not as suitable for the character due to her shy, withdrawn personality and hairstyle.Although the animators admitted to using mid-century fashion "as a jumping-off point", they deliberately designed Violet's clothes to be more baggy in appearance with a "very desaturated" color scheme, Furthermore, the majority of the character's clothing during the first film are variations of the color purple, alluding to her name.Despite 14 years separating the releases of the first and second films, Vowell did not find resuming the role to be difficult, identifying Violet as a character to whom she feels "closely tied", having played her for approximately one-third of her life.Syfy Wire's Heather Mason observed that Vowell shares her dry sense of humor with Violet.The character's likeness has since been used in several tie-in media and merchandise associated with the films, including toys, books and video game adaptations.In early drafts of the screenplay, Violet was depicted as an infant as opposed to a teenager, since parents Bob and Helen Parr were originally intended to be introduced as retired superheroes who had just begun to attempt to live normal lives much earlier during the film.I guess I am who I am." Despite her success, Vowell maintains that she is not an actress, describing herself as merely "a writer moonlighting" as an actress for The Incredibles and insisting that she would be "mortified" if she were required to act in the presence of anyone apart from Bird, whose directing she trusts greatly, explaining, "I trust that he’ll be able to find something in me or he’ll be able to inspire something in me, and he’ll also be able to find the take that is the best one." Bird, who voices costume designer Edna Mode, was the only other actor Vowell recorded with while working on both films.The director would sometimes temporarily provide the voices of other characters for Vowell to act opposite of, such as Elastigirl in lieu of actress Holly Hunter.During her first recording session, the actress struggled to sound as though she had just been hurt and thus asked Bird to hit her arm to help her replicate the sound of being punched.Vowell recorded her character's screams closer towards the end of filming in order to preserve her voice, calling the process "fun" and claiming, "I don't think I had screamed ... Vowell found the opportunity to voice a superheroine "thrilling" because she considers herself to be "more of a walking Woody Allen movie" in real life due to her fears of driving and swimming, joking that it is "fun to listen to my voice do things [in film] that ...