Essays On Russian Intellectual History

Essays On Russian Intellectual History-51
What counts as an art historical object and how it is theoretically approached and interpreted echoes the intellectual and cultural background of the art historian. In this sense, a work of art is more than merely its reconstructed history.

What counts as an art historical object and how it is theoretically approached and interpreted echoes the intellectual and cultural background of the art historian. In this sense, a work of art is more than merely its reconstructed history.

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BTSI Brill's Texts and Sources in Intellectual History is a peer-reviewed book series that publishes rare or previously unpublished material of great relevance to current academic research in the field of intellectual history.

Publications include new editions and/or translations of complete works (preferably in English) as well as correspondence, notes, journals and other source materials.

Many members of the Corcoran Department of History work in these interrelated fields in an effort to understand what was and is most often overlooked in everyday life, namely, the hidden roots of people’s most deeply adhered to ideas and practices.

Brill's Studies in Intellectual History, or BSIH, is a peer-reviewed book series that publishes new approaches to history, the history of philosophy and theology, and the history of ideas.

Special attention is given to the use of interdisciplinary methods and insights, such as those of cultural anthropology, semiotics and linguistic analysis.

Occasionally volumes will contain papers of eminent scholars and proceedings of conferences, which would otherwise be difficult to obtain.

So I won’t constrain the discussion by imposing any rules—as if you all would follow my rules in any case! All text (including posts, pages, and comments) posted on this blog on or after August 7, 2012, is licensed under a Creative Commons Attribution-Non Commercial-Share Alike 3.0 Unported License. As our primary goal is to stimulate and engage in fruitful and productive discussion, ad hominem attacks (personal or professional), unnecessary insults, and/or mean-spiritedness have no place in the USIH Blog’s Comments section.

Therefore, we reserve the right to remove any comments that contain any of the above and/or are not intended to further the discussion of the topic of the post.

All volumes will have scholarly introductions and notes.

BSAI Since its origin in the nineteenth century, the borders of the discipline of art history have been fluid.

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