Essays On The Dead Zone

Essays On The Dead Zone-82
It's not perfect but I was proud of it when we completed it and I still am.

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EXPLORE the issue of dead zones with Philippe Cousteau through Earth Echo Expedition videos; ENGAGE students through lesson plans and curriculum enhancement tools designed from real-world data; ACT to solve the issue of dead zones through service learning Action Guides that empower youth to create change in THEIR communities. It takes more than knowledge of environmental issues to equip young people with civic skills to solve the complex problems facing our planet.

Through service learning, youth identify community needs, develop plans and partnerships and are inspired and motivated to take action.

It's a story that I hope will change how you think about all of these topics.

Advancements in affordability of printing, promotion and distribution has significantly lowered the barrier to entry for would-be publishers. I want to share with you a story about books, publishing, fundraising and seed capital.

If you reach your goal before the time limit, you continue to raise money until the time limit is up. Backers simply can't lose — if you can’t complete the project, they don’t pay.

And if you can, they get both their tier award and the satisfaction of knowing they were instrumental in seeing your project through to completion.Covers are hand-printed with care to ensure identical results. Because even though the publishing world is in turmoil, designers are more than ever turning to special printing processes for covers and posters.Watching this fragile process makes me appreciate even more the miracle that is each of these books. Printing processes in which his operation specializes. Whether this is really true or not doesn't matter much to me.The seamlessness of this process lies in that Kickstarter uses Amazon for payments.Amazon acts as an escrow service — if pledge goals are met, the pledges are automagically charged the moment the funding time limit is reached.Editor and co-author Ashley Rawlings and I put the book together in 2008. The book is important to us because we put so much work into its production.But it's particularly important to me because over time this project has come to embody much of my ethos towards publishing, printing and the book as an object. It is a wholly formed literary object — a well-considered balance of editorial, design and physical craft.They have aircraft hangar sized darkrooms with exposure bulbs looming like miniature suns. Unfortunately, they are adamant that I don't photograph the facilities.Still, I manage to covertly eke out a single photograph — that of covers drying.Mid-tour I wonder aloud if they’ve felt a pinch from ravaged publishing industry. The answer still makes me happy that we were able to use Mr. All mass market publishing rationale lead away from producing a book with a silk-screened, cloth cover.But Kickstarter allowed us to buck that trend, to ignore the demands of mass market pricing for our niche product, and produce the book that we felt should exist.


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