Freud called it ‘Repression’ and considered it essential for the operation of the unconscious mind.
Under the influence of this archetypical criticism, psychoanalytic impetus considered compatible with uncertainties of subjectivity and time.
Furthermore, its meaning gained popularity in a Postcolonial domain where the primary interest was in destabilized identities and borders of literary criticism.
We all somehow come across or referred to the terms like unconscious desires, ego, sexual repression, ego, and libido.
The premises of the psychoanalytic approach, under Freud’s analysis, have vehemently influenced the western world.
The answer to the question ‘who is Freud’ lies in his psychoanalytical explorations about the unconscious mind and dreams.
His theory gives a decisive role to the unconscious desires and their effects on the human beings.
It completely foregrounded the reader’s subjectivity with the text.
On the other hand, CG Jung contested the Freud’s approach, leading an archetypal criticism.
Thinking novels as an analogy of dreams seems an excellent natural example.
Same as dreams, novels are fictitious inventions of the human mind, which are although reality based but by definition they are not true.