Gothic Architecture Research Papers

Gothic Architecture Research Papers-61
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Since each construction had its very own authorship and circumstances, we have not gone on to compare cathedrals with each other.

Instead, we have examined if the design traits and structures of these constructions have a deeper geometrical sense than is known to us yet.).

It arises in contrast to the massiveness and the inadequate interior illumination of Romanic churches.

It evolved mainly within ecclesiastical architecture, especially cathedrals.

Gothic cathedrals are widely accepted as being among the most important art creations of mankind.

They are the result of religious interests, aesthetic patterns and social influences, and their making brought together great scientific know-how (Wilson ).The classic patterns of Euclidean Geometry were used in the construction of the Gothic cathedrals to provide them with proportion and beauty.Still, there is also another complex concept related to them: the un-evenness of their structures, which determines their space-filling ability, that is, their level of roughness.Inspired by Mandelbrot’s work, Bechhoefer and Bovill used the concept of fractal dimension in architectural drawings (Bechhoefer and Bovill ) used similar techniques to analyze the design of certain architects such as Le Corbusier, Frank Lloyd Wright, Peter Eisenman and Eileen Gray.Specifically, those authors looked for a relation between the structure of the architects’ constructions and the natural or artificial environment where those constructions were projected.There, the architect abandoned entirely the use of the tribune gallery and introduced the use of simple ribbed vaults.From the 13th century onward, after these first trials, the Gothic style entered its classical stage.As well as the square, architects used the pentagon, the octagon and the decagon (all of them constructible using a ruler and a compass) to represent, by means of accurate geometric relations, the floor plans and elevations of their constructions (Simon ).The square, as well as the octagon, stemmed from geometries which took the heavenly Jerusalem as a model.In this paper we use the techniques of Fractal Geometry to generate parameters which provide a measure of roughness.In this way we show that the French Gothic cathedrals do not only follow Euclidean geometric patterns, but also have a general non-random fractal pattern.

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