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Here are a few examples of Time-lapse projects to show you what you will be able to achieve Now that you are truly motivated, we are ready to get started!If this is your first attempt at time-lapse photography, then this is the place to be.
The theory behind HDR is to take multiple versions of the same image with different exposure settings, then blend those together so that the overall exposure is much broader than the camera can capture on its own, and closer to what we actually see.
Read the rest of this entry » Hounds work well as a concentrated essence since, despite being members of a pack with a common purpose, no two are alike.
First things first, so let’s begin with the basics: Now that you have read and understood the basic concepts described in our guide and carried out a little practice, you are ready to move to the next step.
The eye of the viewer can be guided by actual lines in an image, or by implied ones.
These two riders are stacked up on a slanted hillside watching hunting in the lower field.
Your eye naturally follows them down starting at the rump of the near horse and then reversing at the lower one.
Read the rest of this entry » I typically come down on the engineering side of the analysis vs artistic spectrum, and this manifests in my photography as wanting to see the whole scene: the entire horse and rider, the full pack of hounds, and so forth. I know this because, whenever happenstance intervenes and forces a moving target to be cropped in ways I would never have planned, I am often much pleased with the results.
When I stand too close to the action with a particular lens and try to get something useful anyway, the image is reduced to its essentials.
Here we have two hounds scenting, two ready to roll, and one howling in frustration at standing about.
If you could take this in your hand and squeeze it like a sponge, pure “foxhound” would ooze out.