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We will soon be growing in other ways, too; we recently received a generous grant to build, from scratch, a new website—a new online home for Creative Nonfiction.Our current website, launched in 2012, was structured to feature ), and a very active and constantly expanding schedule of online writing courses, which have so far helped more than 3,000 writers around the world build their skills and find their stories.Marcelle Soviero, editor and publisher of both magazines, decided to turn her attention and direct her efforts to other areas of publishing, and asked if we would be interested in assuming responsibility for the contents of her magazines.
Brenda van Dyck struggles to orient her increasingly disoriented father, who while sitting in his own living room in the evening would ask if it was time to go home: “Where is home,” [my mother] would ask him.
He didn’t know, but he was certain he wasn’t there.” And Susan Meyers explores the U.
Courses and degrees were offered in poetry and fiction, but nonfiction was considered neither scholarly nor artful.
My idea was to launch a literary journal that looked similar to very respected publications, like the, etc., but which published nonfiction narrative exclusively.
Five years ago, we launched an annual creative nonfiction conference in Pittsburgh, and our space has made it possible for us to host readings and workshops for local and visiting writers on-site (and online via webinar).
Herb Meyers Essay
If you’ve been to the CNF site in recent years, you’ve probably noticed how all of this activity—and more—has been wedged in and tacked on; we know that sometimes it’s hard to find what you’re looking for.
Yes, that’s the theme of this issue, and the essays we’ve selected approach it from many evocative angles.
Of course, there are stories about houses—Emily Waples’s seemingly haunted house in Ohio, offering up omen after omen, for example, is particularly memorable.
But even more, there are stories about entire neighborhoods and towns, and how they got to be the places they are.
Shelley Puhak recounts the “Frankenfish” invasion of her Maryland hometown, which was originally designed to keep out any kind of invaders, and Herb Harris traces the evolution of the Washington, D.