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“I pray for you, that all your misgivings will be melted to thanksgivings.Remember that the shadow a thing casts often far exceeds the size of the thing itself (especially if the light be low on the horizon) and though some future fear may strut brave darkness as you approach, the thing itself will be but a speck when seen from beyond.demonstrates to me that the persona is conscious of his age and the limited ‘time’ in the world.
He spent more than six months learning Spanish and later learned Quichua, a scriptless local language of the Native Indians.
After spending three years preaching and working among the Quichua people, he decided to reach out to the Huaorani Indians, who were more savage and violent than Quichua.
Textual integrity is evident as Eliot’s poetry indirectly presents to us a sense of isolation and hopelessness through his sensual collage of sound, scent and sight that inspire readers to seek out their own interpretations. S Eliot’s prescribed poems, we as responders are able to hear a single voice – Eliot’s inner soul, resonating with us.
His poetry endures precisely because of the impersonal way he has constructed the personal within us.
From his childhood, he was devoted to Christianity and wished to reach people in other countries and convert them to Christianity.
He went to Ecuador to spread his religion among the native Indians.
The pursuit of ‘peach’ then, acts as a pursuit of sex – an act of creating life, in direct antithesis of death.
In this way, one’s fear of mortality is highlighted when we are induced by Eliot to feel a sense of urgency for life’s ephemeral nature.
As a result, I am able to grasp the resonating impact of Eliot’s powerful allusion, which captures the temporary respite of man’s penultimate death.
The vision of the “white horse [galloping] away,” fills me with a sense of immediacy and relief, knowing that the birth of Christ has averted the Apocalypse.