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She saw all the nights he'd spent staring into the fire and longing to have a woman beside him,..body was giving off so much heat that the wooden walls began to split and burst into flame..pure virginal body contrasted with the passion, the lust, that leapt from her eyes, from her every pore."Ã¯Â¿Â½(pg.51-55) This passage describes the intense feelings of Gertrudis that she was finally able to release.The fact that Gertrudis had seen in Jaun's eyes the longing for a woman like her, by staring into...
A person in a state of sexual excitement is said to be "like water for chocolate." And now here is a movie where everyone seems at the boil, their lives centering around a woman whose sensual life is carried out in the kitchen, and whose food is so magical it can inspire people to laugh, or cry, or run naked from the house to be scooped up and carried away by a passing revolutionary.
"Like Water for Chocolate" creates its own intense world of passion and romance, and adds a little comedy and a lot of quail, garlic, honey, chiles, mole, cilantro, rose petals and corn meal. She sees the duty of her youngest daughter to stay always at home and take care of her.
(She returns many years later, a famous revolutionary leader.) "Like Water for Chocolate" is based on a novel by Laura Esquivel.
Like "Bye Bye Brazil" and parts of "El Norte," it continues the tradition of magical realism that is central to modern Latin film and literature.
When Pedro gives her a dozen red roses, for example, she prepares them with quail and honey, and the recipe is such an aphrodisiac that everyone at the table is aroused, and smoke actually pours from the ears of the middle sister, Gertrudis.
She races to the outhouse, which catches fire, and then, tearing off her burning clothes, is swept into the saddle of a passing bandolero.
It takes place in a Mexican border town, circa 1910, where a young couple named Tita and Pedro are deeply in love. Tita is heartbroken - especially when Pedro marries Rosaura, her oldest sister. During a dance at the wedding, he whispers into Tita's ear that he has actually married Rosaura in order to be always close to Tita. Weeping with sadness and joy, Tita prepares the wedding cake, and as her tears mingle with the granulated sugar, sifted cake flour, beaten eggs and grated peel of lime, they transform the cake into something enchanting that causes all of the guests at the feast to begin weeping at what should be an occasion for joy.
The movie is narrated by Tita's great niece, who describes how, through the years, Aunt Tita's kitchen produces even more extraordinary miracles.
Esquivel infuses magical realism into the chicken fight by turning an ordinary brawl into a literal tornado.
On a deeper level, this chicken fight is metaphorical to the conflicts in the De la Garza house between Tita, Pedro, and Rosaura.