National Geographic On Assignment

National Geographic On Assignment-28
(As for whether Alvarez will continue to use the 1020 for big assignments in the future, it’s highly unlikely; he explains why below.) We recently chatted with Alvarez about his trip, and picked his brain about the device and smartphone photography in general. And that seem like logistically a good way to do it.I had about a week (to play with the camera before the assignment), so I had gotten used to it.

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Alvarez and his assistant were one of the first to use the 1020.

They were given three preproduction models in June – in advance of the official unveiling – and shot stills and videos across the Southwest, in secrecy.

I ended up being able to shoot the camera at much slower shutter speeds. I was talking to the assistant director of photography with National Geographic after the ad came out, and he just said, “Really, you shot this with a phone?

(The user interface) is another strong point for me. ” I shot this three-page ad with this phone, and people had a hard time believing the quality.

I had actually met two people on the development team a week before I left.

We met in a hotel room in New York and they swore me to secrecy and showed me the super secret camera.

“That was a concern of Nokia’s, so they gave me some stealth coverage for it that made it look very generic.

We were really worried around the Grand Canyon, where there would be a lot of public people.” Although Nokia funded the campaign, Alvarez does seem genuinely impressed with the 1020, which has been praised by many others – us included – for its photography prowess. Nokia called my commercial rep and said, “We have this new camera coming out, and we’d be interested in having Stephen think about where he’d take it, and we would really want him to show off the capabilities of the camera.” So I proposed a couple of ideas, and we settled on the Southwest because of the timing and I really wanted to see how this camera performed in a really big landscape; because you’re trying to show off a sensor like this, you want as much detail as possible.

I’ve never talked about a camera phone in the same kind of sentences talking about a normal camera, because nothing ever approached the quality that you get out of the 1020. The only thing I found myself wanting was that the pictures be shot as a RAW file, because it produces a JPEG.

It’d be great if you can just get the RAW sensor data straight off the camera because that’s what my other cameras do.

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