He moved to Chicago in 1948, and was inspired by the music of Muddy Waters, Howlin' Wolf and B. The first single, an intensely haunting rendition of Willie Dixon's "I Can't Quit You, Baby" shot to number six on R&B chart.
He moved to Chicago in 1948, and was inspired by the music of Muddy Waters, Howlin' Wolf and B. The first single, an intensely haunting rendition of Willie Dixon's "I Can't Quit You, Baby" shot to number six on R&B chart.Tags: Introduction To Review Of LiteratureMy Dog Ate My Homework PoemIs Homework A Waste Of TimeArgumentative Essay About The Mass MediaEasy Way To Solve Math ProblemsAn Anthropologist Among The Historians And Other EssaysSula Analysis EssayPersuasive Essay On Anorexia NervosaDecisions In Paradise Part 3 Essays
The fact that they were two middle-aged black men singing the song, pretty much guaranteed the number would never reach it’s intended audience. v=8G2cz At CX4w In 1966, the British Vocalion label released Rush’s Duke single (backed with ‘I Have to Laugh’) in England, coinciding with Rush’s appearances with the American Folk Blues Festival introducing Rush and his music to and a new generation in Europe.
We’ll take a look at some of the earliest covers of the song and how those in turn prompted covers by American bands, in the next installment.
He’s been entertaining audiences with his high-energy guitar playing and singing for decades and if you’re lucky you can still catch him playing three or four nights a week.
Billy has his own material but he also plays blues classics and it was his torrid version of the Otis Rush song “Cut You Loose” that turned me into a Rush fan for life.
His soaring, emotional guitar playing and his equally stunning vocal delivery have made him a legend of Chicago blues.
Rush was born and raised in Philadelphia, Mississippi, and learned to play guitar and harmonica as a child. In 1956, Willie Dixon saw Rush perform and was so impressed that he helped the 19-year-old Rush get a deal with Cobra Records.
v=XPQGx KJNwu Y Interestingly, the arrangements of these two versions, especially the latter, seem to have more in common with Otis Rush’s ‘Homework’ than with Price’s recording.
‘Homework’ was the A-side of the only record released during Rush’s three-year tenure with Duke records. v=gz DJo Sga VCE Rush’s number would also attract a large number of covers, beginning with two different versions, released a year apart, by one of its writers, Al Perkins. label in 1965 Al Perkins and Betty Bibbs – Homework – https://
In 1959, Lloyd Price covered the song with a completely different arrangement (Jennings may have played on the session) and released it as the B-side to ‘Personality’.
Lloyd Price – Have You Ever Had the Blues – https://