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And so we ask ourselves the question, who does this truth look beautiful to.“How the youthful Harlots curse Blasts the new born Infants tear, and blights with plagues the Marriage hearse”(lines 14-16).
In this sense, "London" is a poem about the universal human condition.
It would be impossible to paraphrase "London" into prose, for its poetic meaning derives from the ambiguity of connotative language and from the necessity of unresolved paradox.
Blake's theme unfolds through two central paradoxes in the poem---the fundamental and obvious paradox...
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What beast laughs in delight at this horrid truth and call it beauty? The poor struggle in this country every day just as the peasants of the eighteenth century did.
Low wages, bad working conditions, thousands crying out into the night for just a chance at being more than what they are. What tyrant sees the beauty in the truth of these poor lives?The truth that their mentality screams “no matter how hard they work and try, they can never earn enough to enjoy life, that rest comes with death, that money and power will always rule and that they will never rule anything.” As Blake writes in “The Chimney Sweeper,” “When my mother died I was very young, And my father sold me while yet my tongue Could scarcely cry weep weep weep weep.So your chimneys I sweep & in soot I sleep.”Keats writes, “when old age shall this generation waste, Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say’st, ‘Beauty is truth; truth, beauty’ that’s all ye know on earth, and all ye need to know…” (lines 46-50), but Blake didn’t feel or see beauty when he wrote this passage, he only saw the “marks of woe” (line 4) within this truth of society.For the part of poet, William Blake is one of those poets who have been endowed with those poetic prophecies, for he has been neglected for a long time before he has been impartially thought of as one of the best lyrical poets in the last 500 years just as what has been put in the critical essay of Alexander Gilchrist that William Blake’s poems have hardly known to those of his own generation not to speak of winning the popular flavor of the well-bred readers owing to his technical imperfection according to the specific academic views of Alexander Gilchrist, not until the present century it is do poetic scholars, critics and readers begin to understand him and his poems ( Gilchrist, 1880 ).With respect to his poetic texts, London is one of those poems that have been typified with the critical transition from its textual unnoticed commonality to its he admiring singularity that have been catching the attentions of scholars and critics.The poem's beauty and power result from concrete and specific images of London that evoke the ecumenical idea that man is suspended between the society he lives in and his own indeterminate nature.Man is helpless; hovering between these diametric poles, he cannot even escape his own distress.Blake saw the pain of this and yet he did not rejoice in its reality, but wept.“And the hapless soldiers sigh Runs in blood down the Palace walls”(lines 11-12). Explain how the truth of families unnecessarily loosing loved ones to war can cause a merry celebration.A war of hatred or greed that was not their war to begin with, but the war of governments that didn’t quite get what they wanted out of a verbal agreement and needed the bloody LIBERTY of going into someone else’s country and take them over.Although he has not been accepted as a famous English poet by the mainstream consciousness of his poetic production at his age, William Blake is now extensively regarded as one of the earliest and greatest figures who have pioneered the early romanticism in English literature.His typical poems have been discussed for a long time from various perspectives but the role of the image of London in his emblematic poem can be taken as an accusative weapon against the social brutalities of England in reference to the social reality of that repressive time based on a better analysis of the image of London in this poem from the perspective of reflectionism in terms of the social oppression, class repression, religious misconduct as much as liberal exploitation of English society as what can be seen in the poetic images of this poem. The Textual Singularity of William Blake’s London It seems to be a universal truth that the real superiority of a poetic text that has been epitomized with temporal and spatial canonicity tends to be denied upon its birth and admired after a rigid test of the poetic readers owing to its rebirth in the spiritual wonderlands of their minds.