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However the romance is brought into scene three, because of the fight between Romeo, Mercutio and Tybalt in Luhrmann’s version made it feel more important and noticeable.These alterations of the script by Luhrmann made the film more like a modern drama and considerably different to the Zefferelli version.
Hi, I wanted to know what grade you lot think this piece of coursework deserves Comparison between the two film versions Romeo & Juliet by Luhrmann & Zefferelli.
When analyzing the two distinct 'Romeo and Juliet' films and comparing them, I noticed that both Zefferelli and Luhrmann had a different interpretation of Shakespeare’s version of ‘Romeo and Juliet’.
In the movies, Romeo's suicide was even more of an act of blind passion than it was in the original text.
As well as leaving out Paris' death, the Luhrmann production spoilt the ending scene.
The symbolism and imagery in both films were very different because of this factor.
Zefferelli’s film remains faithful to Shakespeare’s original play, whereas Luhrmann made a more modern version of it.For example, Franco Zefferelli produced his film in 1968, and Baz Luhrmann produced his in 1997.Both films provided very different perspectives on Shakespeare's text because of the eras they were set in.As a result of this the last little bit of hope was lost.Both the Zefferelli and the Luhrmann films, showed how bizarre ‘Romeo and Juliet’ really was.By having Juliet wake up while Romeo was dying, this created a dramatic drop in the atmosphere, which generated a feeling of despair.To further dampen the ending of Luhrmann’s version, the Capulet and Montague lords didn't reconcile with each other in the light of their children's death.Luhrmann and Zefferelli had different interpretations of Romeo and Juliet because they had different goals.Zefferelli was trying to produce a classic Shakespearean production, much like you would have seen on stage.In Both movies Romeo chased Tybalt and challenged him to a duel, but in the original, it was Tybalt who attacked Romeo.Romeo was defending himself when he killed Tybalt, so he was in a good position in the eyes of the 16th century law system.