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These are dark, misty, as if you are looking at something keeping secrets.Three short essays by her are included, and these are beautifully written, lyrical, leading me to want to read her autobiography.I want to feel the textures of this fading, yet somehow unchanging, South. Mann achieves the purpose of this statement: “The hands of time are stilled by the resonance of history at the sites I photographed.” She set out to find the past present, and _does_.
A landscape that is so lush with Spanish moss and weeping willows, weathere Sally Mann has done some remarkable work in her lifetime.These pictures perfectly capture that haunted landscape.And Mann writes as beautifully as she takes photographs - I'm also reading her autobiography, and it is some of the most lyrical prose I've read in a long time. (I do wish that there was an index that told you where each picture was taken.Sally Mann has done some remarkable work in her lifetime.Her portraits are amazing, especially of her family members.Almost everything you turn your camera on is art down there. The locations feature an alarming sense of loss, full of elements alluding to haunted memories, death, decomposition, and unspoken evil.The feeling of hopelessness permeates within every photograph, oftentimes becoming overwhelming in the senseless emptiness.DEEP SOUTH is a troubling series of images for a number of different reasons, and one does not even have to know or understand what it's like to be in the south to be captivated by the unimaginable horror that lies within.You cannot live in the South without knowing how haunted and traumatized it is.Sally Mann came to the attention of the public in 1992, with a series of intimate portraits of her children and her reputation has risen since then.Haunting photographs from one of the greatest living photographers who became known for her family photographs primarily, and for photographs of corpses.