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However, we come to understand that this is a book about how we choose what to believe and how to come to with reality that is often more horrible than we can stand.
The author begins by explaining “this book was born as I was hungry”.
Not literally hungry, but keen to write a novel of importance to someone.
When Pi recounts his story to the Japanese officials, they begin to have doubts over the exact moment in which the readers are stretched to their beliefs about the inconceivable Algae Island and the “carnivorous trees” and how “they don’t exist.
Pi however states to the officials, that you want ‘a story that won’t surprise you.
Through Pi, he aims to compare the stories discovered within each religion: Christianity, Islam & Hinduism and question the readers understanding of God and how he is ‘hard to believe’.
Pi loves the stories within each religion as they ‘sustain’ him to always look for more stories told in Hinduism, Christianity and Islam as they’re all enjoyable than the ‘dry, yeastless factuality’ in everyday life.Even though its only six pages long, it gives a great insight on how Martel came about the story of Pi.The author’s note blurs the boundary between fact and fiction, stating that ‘fiction’ is the ‘selective transformation of reality.’ And that the human capacity for imagination and invention is a mechanism for self-preservation.Martel structures the novel with two dissections of truth: factual and emotional truth.’ Stories that won’t make you see ‘higher or further or differently.’ At this vivacious point of the novel, Martel symbolises this moment as the “leap of faith” in which he challenges the Japanese interrogators beliefs as well as the readers about ‘words that reflect reality’ and ‘words that do not contradict reality.The 2012 movie "The Life of Pi" uses celebrity culture and manipulation of public sentiment in order to create a compelling narrative.This preference for fantasy over a harsh reality is reflective of current American social and popular...As fiction helps us get closer get closer to grasping universal truths and the significance of religion within Martel’s novel is just like that of fiction: both use metaphor, allusion and hyperbole to help us understand and live with the realities of human existence.Martel creates unimaginable elements to stretch the readers’ belief, to the point in which he forces us to construct our own form of reality.