Every movie uses reflection as a starting point, and the movie direction and performances are the ones that make the speech less explicit and more suggested.One of the problems of Thesis on a homicide is that from direction only serves to illustrate dialogues, and except Darín, no one can delve too much in their character (at least those who have more than five minutes on screen -there are plenty wasted around-).And we can think about all of this as we watch the movie because, in its cold and distant construction, unconsciously highlights all the gadgets that participate in its structure.
Every movie uses reflection as a starting point, and the movie direction and performances are the ones that make the speech less explicit and more suggested.One of the problems of Thesis on a homicide is that from direction only serves to illustrate dialogues, and except Darín, no one can delve too much in their character (at least those who have more than five minutes on screen -there are plenty wasted around-).And we can think about all of this as we watch the movie because, in its cold and distant construction, unconsciously highlights all the gadgets that participate in its structure.Tags: 2013 Ap U.S. History Essay QuestionsEssay Community College Vs UniversityCapital Punishment Right Or Wrong EssayChicago Essays 2013Literature Based DissertationEthics In Human Resource Management EssayGood Places To Submit EssaysIron Deficiency Anemia Essay500 Business PlanEngineering Company Business Plan
The pacing is well considered to slowly but surely pull you into the intrigue surrounding the murder.
Deliberate panning shots work well to draw out the atmosphere surrounding Roberto.
and based on the novel of the same name by Diego Paszkowski.
The plot revolves around Roberto Bermúdez, a specialist in Criminal Law who is convinced that Gonzalo, one of his students, is the author of a brutal murder, initiating an investigation that obsesses him.
Early on we are led down a path that is obviously used as a decoy. Later on, we are made to partially back track down that road of thought, until we are left alone in the dark without a torch or a map home.
Almost as if the production team couldn't figure out a way to conclusively reveal what happened.And secondly, and vital, as well as to Darín, lacks of suspects: the story moves forward over the obsession of the protagonist, a law professor who is sure that a student is the murderer of a girl found dead in the vicinity of the Law Faculty.The mystery of the film, then, is reduced to if Darín is right or not.Even so it manages to keep you engaged to the end wondering just what the final answer may be.Despite its lack of finesse, overall Thesis on a Homicide gets more right than it does wrong.The older lawyer embroils himself into the investigation believing it to be an attempt by Gonzalo to set up the perfect crime.Roberto takes a personal interest in the sister of the murdered girl, using her to get the necessary end game from Gonzalo.Original title: Tesis sobre un homicidio Country: Argentina-España Direction: Hernán Goldfrid Writers: Patricio Vega based on the novel by Diego Paszkowski Cast: Ricardo Darín, Alberto Ammann, Arturo Puig, Calu Rivero, Fabián Arenillas, Mara Bestelli, Antonio Ugo, José Luis Mazza, Mateo Chiarino, Natalia Santiago Cinematography: Rodrigo Pulpeiro Edition: Pablo Barbieri Music: Sergio Moure de Oteyza Runtime: 105 minutes Year: 2013 (@mexfaliero) Thesis on a homicide is a movie made by design (nothing wrong with that), which by the particularities of the argentine cinema acquires mainstream traits: if we think about it properly, it’s one of those psychological thrillers of average level that Hollywood makes once a week, but here it is magnified because the industrial argentine cinema (we understand by industrial a system sustained in common signs and symbols that work by repetition: the cliches, the usual places) is still an imaginary collective that begins to give its first symptoms of life.Thesis on a homicide is an adaptation from a best-seller, has as frontrunner a star that assembles with his mere presence (Darín), there is a popular and little star from television (Calu Rivero) and its director is a guy with knowledge of the narrative apparatus but without an authorial trait: he’s what in the industry is called an artisan, someone who can bring to fruition a minor product. No, when all else fails, blame the equipment at hand. Anyway, Thesis on a Homicide may also leave you wrestling with your judgement, confused by the smart elements muddled together with the parts that are less so.Playing a lawyer named Roberto, he teaches an 8 week course to younger members of the bar which this time includes the son of an old friend.