Poets were no longer able to join the intellect and the emotions to produce true masterworks.These three ideas—the impersonal theory of poetry, the objective correlative, and the dissociation of sensibility—certainly changed the way American and British scholars studied poetry: Innovative critical schools, such as the American New Criticism of the late 1920’s and 1930’s, were the result, and university training in literature was also changed by these principles.
is unquestionably one of the most important poems of the twentieth century.
Its importance lies in its literary excellence—its insight and originality—and in its influence on other poets.
In the poem, the speaker is far less impersonal than in earlier works: There is no reason to suppose, in fact, that the narrator is not Eliot himself, a man desperately seeking his God.
By 1930, Eliot was firmly established as an influential man of letters.
Accordingly, at the end of the decade Eliot joined the Church of England; from then until the end of his life, he was a faithful to it.
Writing A Christian Book - T.S Eliot Essays
(1930) accurately describes the stage in Eliot’s life that hovered between intellectual, nonbelieving despair and instinctive religious faith.
Writing about the poetry of Eliot is difficult for a number of reasons.
One major difficulty is that Eliot himself helped dictate the rules for how critics interpret poetry.
The mood is one of despair, loneliness, and confusion—the central feelings, Eliot believed, of modern city dwellers.
During the early and mid-1920’s, Eliot struggled to emerge from his own private wasteland.